Fortsetzung der Vortragsreihe »Sinophone Classicism« im SoSe 2024
Chinese Cultural Memories in a Global Space
The lecture series »Sinophone Classicism. Chinese Cultural Memories in a Global Space« will be continued in the summer term 2024.
More information on the lecture series at Forschungskolleg Humanwissenschaften.
Please find the program here (Poster).
10-11 May 2024
Venue: FKH Bad Homburg
International Workshop co-organized by Zhiyi Yang (Goethe University) and David Der-wei Wang (Harvard University)
»Global Sinophone Classicisms: Hybridity, Agency, and Critical Challenges«
Wednesday, May 22, 2024, 18:00 Uhr / 6 p.m. (Central European Time)
Tsu-Chung Su (National Taiwan Normal University)
»Gao Xingjian’s Politics of Resistance and Nonconformist Poetics: The Portrayal of Huineng in the Play and the Production of Gao Xingjian’s Snow in August«
Participation on spot
Venue: Forschungskolleg Humanwissenschaften, Am Wingertsberg 4, 61348 Bad Homburg
The number of participants is limited. Please register here: anmeldung@forschungskolleg-humanwissenschaften.de.
Participation in the Zoom meeting
Registration link: https://us02web.zoom.us/meeting/register/tZMvcemgqD4pHtwbv3Xm1wsOHWP42K7I_RkN
About the lecture
Gao Xingjian is a Chinese-born writer and artist who lives in exile in France. He was awarded the Nobel Prize for Literature in 2000. His play Snow in August is based on the life of Huineng (February 27, 638 – August 28, 713), the Sixth Patriarch of Zen Buddhism and founder of the Sudden Enlightenment School. Drawn from Huineng’s Platform Sutra and various koan cases, the play showcases Gao’s nonconformist poetics, transforming classical notions of acting, dramaturgy, and theatricality, particularly from Beijing Opera, while simultaneously embodying his politics of resistance. The 2002 premiere production of Snow in August in Taipei, directed by Gao Xingjian himself, was an extravaganza.
Intending to explore two core aspects of Gao’s practice in Snow in August, namely, the politics of resistance and nonconformist poetics, I will pose questions such as: Is Huineng, an illiterate Chinese Zen Buddhist master, a religious nonconformist and also a freewheeling political thinker? Is Huineng’s life an embodiment of Gao Xingjian’s self-exile, anti-establishment thinking, and politics of resistance? Is the portrayal of Huineng in the production a successful manifestation of Gao’s nonconformist poetics?
About the speaker
Tsu-Chung Su is Distinguished Professor of English at National Taiwan Normal University. His areas of interest include Nietzsche and his French legacy, theories of hysteria and melancholia, Shakespeare studies, performance studies, Indology, dramatic theory and criticism, and theories of consciousness and mindfulness. Su is the author of three monographs: Artaud Event Book (2018, in Chinese), The Anatomy of Hysteria: What It is, with Some of the Kinds, Causes, Symptoms, Representations, & Several Critiques of It (2004), and The Writing of the Dionysian: The Dionysian in Modern Critical Theory (1995). – In May 2024 he is a Fellow at the Forschungskolleg Humanwissenschaften of Goethe University Frankfurt.
Friday, June 7, 2024, 14:00-17:00 Uhr / 2-5 p.m. (Central European Time)
Haji Noor Deen (Independent Artist)
»Sini-style Islamic calligraphic workshop«
Participation and registration
Venue: Goethe University Frankfurt am Main, Campus Westend, Seminarhaus SH 1.104, Max-Horkheimer-Str. 4, 60323 Frankfurt am Main
The number of participants is limited. For further information and to register, please contact Sophie Laue (s.laue@em.uni-frankfurt.de).
About the workshop
Haji Noor Deen provides insights into the origins and background of calligraphy. He will present the basic techniques, tools and materials of calligraphy and participants will be able to experience writing Islamic calligraphy using Chinese brush and ink by working on their own piece of calligraphy. The material will be provided at a cost of 5 Euro per person. The workshop language is English.
About the artist
Haji Noor Deen is a renowned master of Arabic calligraphy. Born in 1963 in Shangdong province, China, he brings an immense learning in traditional thought and Islamic art to a modern audience, juxtaposing them in a new calligraphic style all his own, both Eastern and Western. For more information, please go to his personal website.
>> Poster <<
About the lecture series
Concept of the lecture series: Zhiyi Yang, Professor of Sinology, Goethe University Frankfurt am Main and Goethe Fellow at the Forschungskolleg Humanwissenschaften